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Cristyn Magnus
cmagnus at ucsd dot edu
cristyn magnus' cv
Education
- Ph.D. candidate in Music, University of California, San Diego.
Advanced Spring 2005.
topic: Emergent Structure, agent-based systems, & algorithmic
composition
committee: Miller Puckette (chair), Charles Curtis, Shlomo Dubnov, Adriene Jenik, Shahrokh
Yadegari
- M.A. in Music, University of California, San Diego. 2003.
thesis: "Evolving Waveforms with Genetic Algorithms."
committee: Miller Puckette (chair), F. Richard Moore, Rand Steiger
- B.S. in Cognitive Science, University of California, San Diego.
2000.
Publications & Presentations
- "Genes, Games, & Sound." Invited talk at Smith College (March 2007).
- "Aesthetics, Score Generation, and Sonificaiton in a Game
Piece." Proceedings of the 2006 International Computer Music
Conference, forthcoming. 2006. Presented at ICMC (November 2006).
- "vs. computer: an interactive performance game." Presented at UC
Digital Arts Research Network Graduate Research Exchange (April 2006).
- "Evolutionary Musique Concrète." Applications of Evolutionary Computing: EvoWorkshops 2006,
Lecture Notes in Computer Science, pp. 688-695. 2006. Presented at EvoWorkshops (April 2006).
- "Evolving electroacoustic music: the application of genetic algorithms
to time-domain waveforms." Proceedings of the 2004 International
Computer Music Conference, pp. 173-176. 2004. Presented at ICMC (November 2004).
Selected Original Works
- "Eartude 1" (2007) video score for audience
- February 29, 2008: SPARK Festival of Electronic Music and Arts (Minneapolis, Minnesota)
- February 13, 2007: New Music Forum (UCSD)
- "Combat Music" (2005-2006) game-mediated strategic improvisation, in collaboration with P.D. Magnus
- May 11, 2007: vocal improvisation with Jeffery Treviño; Versus: Music with Technology (UCSD)
- "vs. computer" (2005-2006) for percussion and interactive
electronics, in collaboration with Robert Esler
- May 12, 2006: Spring Festival of New Music (UCSD)
- April 21, 2006: California Exchange Concert (UC Santa Barbara)
- "Snapshots" (2005) for stereo tape
- April 10-12, 2006: Process Revealed, Artpool P60 (Budapest, Hungary)
- October 28, 2005: music for Adriene Jenik's SPECFLIC
installation (UCSD)
- "Mirror" (2004) for chorus and found instruments
- May 23, 2004: Unitarian Universalist Fellowship of
San Dieguito (Solana Beach)
- "Sketches for Genetic Algorithm" (2003-2004)
- "run16" for stereo tape and tenor saxophone, in
collaboration with Tracy McMullen
January 31, 2004: Powering Up/Powering Down
festival (UCSD)
- "run12" for 4-channel tape
November 10, 2003: Critical Studies and
Experimental Practices Forum (UCSD)
- "run5" for stereo tape
April 13, 2006: California Exchange Concert
of Electronic Media (Mills College)
November 6, 2003: New Music Forum (UCSD)
- "Lamination" (2003) for solo flute
- May 4, 2003: Spring Festival of New Music (San Diego)
- "Pantomime Grasshopper" (2002) for percussion and two voices,
in collaboration with Nick Hennies, Anne-Marie Dicce, & Jason Rosenberg
- April 27, 2003: Spring Festival of New Music (San Diego)
- "At Once by Other Ones" (2002) for contrabass & live electronics,
in collaboration with Christopher Williams
- September 5, 2005: Listening Room,
International Computer Music Conference (Barcelona, Spain)
- April 25, 2002: Southern California Computer Music Exchange
Concert (Stanford University)
- April 7, 2002: Southern California Computer Music Exchange
Concert (California Institute of the Arts)
- with Hilary Rowan, "An Inherent Desire to Attain
Balance" (2000) performance piece for dancers and balloonists
- April 27, 2003: Spring Festival of New Music (San Diego)
- November 17, 2000: Sweetooth Theatre-Benefit for
Revitalization (San Diego)
- "Evidence from the Frog Story" (2000) 6 channel electroacoustic tape
- November 4, 2004: New Music Forum (UCSD)
- November 5, 2000: Sonic Circuits 2000 Student
Perspectives (University of Minnesota)
- June 14, 2000: Best of ICAM concert (UCSD)
- "No Food or Drinks in the Lab" (1998) stereo electroacoustic tape
- May 1, 2000: New Music Forum (UCSD)
Recordings
my compositions
- Process Revealed (2006), excerpt of algorithmic tape
composition "Snapshots" (DVD released as part of the 4th European
Workshop on Evolutionary Music and Art, in conjunction with EuroGP2006,
EvoCOP2006, & EvoWorkshops2006).
- Sound check one (2005), curated by Charles Curtis.
"run12" algorithmic tape composition by Cristyn Magnus (UCSD Music Department).
computer implementations
- "SVEN (Surveillance Video Entertainment Network) - aka AI to the People"
by Amy Alexander (2007), programming consultant
- Imposition and Consequences (2007), by Derek Keller. implemented real-time, interactive electronics for
"Attitudes...self-reflection" by Derek Keller (Tzadik).
- Solos and Duos for Guitar (2004), by Colin McAllister and Derek
Keller. implemented real-time, interactive electronics for
"Attitudes...self-reflection" by Derek Keller (Old King Cole Productions).
- Volume 1: Electronic Works (2001), by Morton Subotnick.
audio spatialization software with Peter Otto, CD & DVD (Mode).
Selected Performances & Implementations
- "Clocker" by Alvin Lucier (1978), implemented digital version for
percussionist Greg Stuart
- May 4, 2005: Greg Stuart, DMA Recital (UCSD)
- "Sketchbook IV for violin, violoncello and live electronics" by
Kueiju Lin (2004), implemented real-time interactive electronics
- July 2004: Acanthes Festival (Metz, France)
- "Cobra" by John Zorn (conducted ensemble),
- May 11, 2004: Spring Festival of New Music (UCSD)
- "Attitudes...self-reflection" (2003) by Derek Keller, implemented and
performed real-time, interactive electronics
- November 12, 2004: Butterfly Effect III (Athens, Georgia)
- November 12, 2004: Digital Media, ART 2800
Transmedia/Intermediate Computer: "The Use of Computer Interactivity
in Syncretic/Hybrid Music," UGA Lamar Dodd School of Art (Athens,
Georgia)
- November 10, 2004: 1st Annual Electric Music Concert,
UGA School of Music (Athens, Georgia)
- "Before the Butterfly" (2001) by Morton Subotnick, digital version,
developed software implementation for digital version world premiere
- October 14, 2001: National Conference on Technology and the
Orchestra (Carnegie Hall, NY)
Teaching Experience
Lecturer
Computer Music I Computer Music I introduces students
to programming in PD or Max/MSP, various sampling and synthesis
techniques.
Course Design
Musical Acoustics
I co-designed a musical acoustics course to be taught by Miller
Puckette. We decided together on the topics the course should cover and
on a timeline in which to cover them. We would assign a weekly problem
sets, weekly interactive labs, and a final project. I contributed
questions to the weekly problem sets and worked out the problems clearly
with step-by-step explanations for TAs whose physics background might be
rusty. I designed and programmed weekly interactive labs to give
students hands-on understanding of principles such as the Nyquist
frequency, equal-loudness curves, and just noticeable differences.
Since the class was intended primarily for music and art students, I
came up with the final project of building and playing a musical
instrument. This would require them to figure out how to use what
they'd learned in the course to produce a physical product and would
prepare them to go on to do sound art far better than an abstract final
exam.
Teaching Assistant
Music History and Appreciation
For Contemporary Music, Symphony, and Introduction to Western Music, I
taught two sections of 20-50 students for each course. I held office hours, graded
assignments, and provided the instructor with feedback on the course. I
gave a lecture on contemporary symphonic music for the Symphony course.
For Introduction to Western Music, I maintained the course web page and
interactive message board.
Theory and Composition For Musical Literacy, I taught
sections of 20-30 students that met several times a week for two terms.
Topics included theory, ear training, and introductory composition. I
also graded assignments and provided exercises.
Music Technology For Musical Acoustics, Computer Music I
& II, Musical Psychoacoustics, and Recording Studio Techniques, nine
terms in all, I held extensive office hours for one-on-one and
small-group tutoring and mentoring. I interfaced with Academic
Computing Service and helped maintain the instructional studios and
computer labs. I provided instructors with feedback on the courses,
designed and graded labs and assignments, and gave several lectures.
Employment, Fellowships, and Commissions
- Teaching Assistant: UCSD Music Department (2001-present)
- Commission: music for Adriene Jenik's SPECFLIC
installation (2005)
- Research Assistant: developed course materials for Musical
Acoustics course (2003)
- Research Fellowship funded by California Institute for Telecommunications and Information
Technology: musical neural networks (Summer 2001)
- Research Assistant: programmed audio spatialization tools (2000-2001)
Other Experience
Radio and TV I worked at KSDT, UCSD's student run radio
station, from 1993 to 1998. I also worked at UCSD's student run TV
station from its inception in 1995 to 1998. I held several positions,
culminating in general manager of both stations. I designed and
maintained the radio station's web page and was instrumental in
branching out to internet radio. I produced and directed
Noisebox, a simulcast TV/radio show that showcased local artists.
I trained DJs in audio production and broadcast.
Live sound Reinforcement I worked at the Che Cafe, a
concert venue, from 1993 to 1999. My duties included booking, stage
management, and live sound reinforcement.
I have worked with artists such as Cherry Poppin' Daddies, Jimmy Eat World,
Black Heart Procession, Pinback, The Promise Ring, The Locust, Cat Power, and Blonde Redhead.
Academic Service
- California Exchange Concert organizer (2006)
- Technology Committee Graduate Representative (2001-2002,
2004-2005)
- Teknika Radica: Webmaster &
co-author of successful UCIRA grant application (2003)
- Spring Festival of New Music Committee (2002-2003)
- New Music Forum Committee (2001-2003)
References
References available on request.
Converted from TEX by TTH.
Current as of 03/28/07.
Source: http://cmagnus.com/cmagnus/cv.shtml.